A Complete Guide to Apple TV+, Disney+, and the Streaming Network Explosion - Slate

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Like the great houses of Westeros—or those far-flung star systems toiling under the yoke of the evil Galactic Empire—the world’s gigantic media conglomerates are now shoring up their support for an epic campaign to capture your streaming service auto payments. No less than four major services are on the horizon, hoping to wrest control of the entertainment industry’s future from the tech industry usurpers at Hulu, Netflix, and Amazon Prime. Who will win the streaming wars? To whom should you pledge your fealty? And, at what cost? We have endeavored to resolve a few of these practical and moral quandaries below.

Wow, there certainly appear to be a lot of new streaming services slated for release in the near future!

Yes, indeed you are correct. Here are the big ones, listed in order of their launch date:

• Apple TV+ (Nov. 1)
• Disney+ (Nov. 12)
• Peacock from NBCUniversal (April 2020, exact date TBD)
• HBO Max (May 2020, exact date TBD)

Any clues as to what entertainment properties might be available on each? I’m hoping to triage this—by which I mean attempt to save money on subscriptions, while also keeping my finger on the pulse of the cultural zeitgeist.

OK, well, let’s start with Apple TV+, which debuts this week. Apple is entering with the dual disadvantage of starting late compared with tech-industry rivals like Amazon and Netflix, as well as entering without its own preexisting archive of classic films and television properties. So, Apple’s making its initial play with a wild spending spree on big name creators and with a content slate designed to be more wholesome and nerdier than its competitors’.

Apple TV+ is launching with four tent pole series: Dickinson, a sexy teen period half-hour starring Hailee Steinfeld as the 19^th-century poet and high school required reading staple Emily Dickinson; The Morning Show, a backstage broadcast news drama starring Reese Witherspoon, Jennifer Aniston, and Steve Carell, that early reviews describe as a self-important, Sorkin-esque take on the Today show; See, a post-apocalyptic science-fiction series featuring Jason Momoa and a high concept premise about a virus making humanity blind; and For All Mankind, an alternate history drama series about Russia getting to the moon before the United States.

Past launch, Apple TV+ has promising projects coming from Steven Spielberg, Oprah Winfrey, J.J. Abrams, and Kumail Nanjiani—each more winsome and optimistic than the last. To give you a sense of the kind of material Apple appears to be most interested in, it’s producing a series of Peanuts specials with the hope of getting kids into STEM education, beginning with Snoopy in Space on Friday, and a Sesame Street spinoff wherein helpful monsters, or Helpsters, get kids to learn to code.

I want more! What about the other services?

After its Borg-like acquisitions of Marvel, Lucasfilm, and 20th Century Fox, Disney is launching its streaming service with a titanic volume of popular culture under its command. Since it’s conceivable that you will need a Disney+ subscription in the near future to access your own memories, you might as well assimilate early.

Disney+ is launching (you know this already) with a $100 million live-action Star Wars series, The Mandalorian, in which the galaxy’s scum and villainy vie for position amid the power vacuum following Return of the Jedi. There will also be a computer-animated Lady and the Tramp movie for families and chaste furries to enjoy. Also on the way, of course, is a pile of new Marvel Cinematic Universe spinoff series, eight in total, chronicling the exploits of beloved also-rans like Hawkeye, Loki, Scarlet Witch, Vision, She-Hulk, Moon Knight, Ms. Marvel, the Falcon, and the Winter Soldier. Later on, there will be more Star Wars, including a revival of the Clone Wars animated series and a reprisal of Ewan McGregor’s performance as Jedi master Obi-Wan Kenobi.

The best of movies, TV, books, music, and more, delivered three times a week.

In August, Disney CEO Bob Iger ominously announced that Fox’s family friendly IP would not be spared the reboot treatment—suggesting that Home Alone, Night at the Museum, Diary of a Wimpy Kid, and Cheaper by the Dozen are all likely to be “reimagined” for “a new generation” on the streamer. Fox institution The Simpsons will stream exclusively on Disney+ at launch as well, surely to be followed by Disney’s and cable network FX’s other beloved properties.

Aside all this, and the many movies from Disney and 20th Century Fox’s back catalogs, Disney+ will offer decades of tacky, rubber-cornered time-fillers for parents on autopilot, including The Cat From Outer Space (1978), First Kid (1996), The Little Mermaid II: Return to the Sea (2000), and Mr. Boogedy (1986).

Uh-huh. What about Peacock and HBO Max? How exactly is HBO Max different from HBO Go and HBO Now?

As an NBCUniversal subscription service, Peacock is going to be the home to a lot of the “Must See TV” reruns that have curiously become some of the most-viewed content while licensed by established streaming partners like Netflix, Hulu, and Amazon. Favorites like Parks and Recreation and The Office (U.S.) will come exclusively to Peacock in October 2020 and January 2021, respectively. (The Warner Bros. co-production Friends, however, will be on HBO Max, which makes some sort of sense as the whole mess that is the streaming wars is ultimately about large production houses circling their wagons to battle Silicon Valley.) If you truly need a reboot of Battlestar Galactica, an adaptation of Brave New World, more episodes of A.P. Bio, or ostensibly fresh takes on Saved by the Bell, Punky Brewster, or the Real Housewives, then Peacock will become a must for you.

As for HBO Max, a good rule of thumb for distinguishing it from other HBO services like HBO Go and HBO Now is to repeat, “It doesn’t matter,” over and over again. About a quarter of current HBO subscribers—basically those who subscribe through AT&T and DirecTV, or pay HBO directly—will get HBO Max for free anyway, and the price point for HBO Max will be nearly identical to HBO Now, their current streaming service workaround for viewers who want HBO without a basic cable package attached.

HBO is partnering with WarnerMedia and the BBC for a lot of its content on HBO Max, so you can expect a lot of shows from the CW and all the Turner Broadcasting cable networks like CNN, TNT, TBS, Turner Classic Movies, TruTV, Cartoon Network, and Adult Swim. (HBO Max, for instance, recently closed a deal for South Park’s entire run, which is now going to air its first-run seasons on the Cartoon Network.) New and classic BBC programs will also stream on HBO Max, including Doctor Who, The Office (U.K.), Top Gear, Luther, and The Honorable Woman—a deal that makes sense when you consider that HBO has been openly co-producing projects with the BBC for a while now, with shows like Gentleman Jack and Years and Years, when not outright poaching their talent for superficially American shows like Succession and Veep.

In terms of original content, there will be brand new Looney Tunes shorts; a new Game of Thrones prequel series, House of the Dragon; two new movies from Reese Witherspoon’s production company; a sci-fi series by Ridley Scott about two androids raising human children on some misbegotten other world; an animated series based on Joe Dante’s Gremlins; and an adaptation of a novel set in the world of Dune.

I get it. 

Well, to be honest, we’re only really scratching the surface. In 2020, HBO Max is promising 31 original series in addition to HBO’s originals, and it’s planning 50 more for 2021.

And then there are the movies: 1,800 movies (which seems like a lot but is actually smaller than what a local video rental store had back in the day) will live on HBO Max at launch, most of them Warner properties, including nearly every DC Comics live-action movie, films from New Line, anime courtesy of Crunchyroll, machinima–turned–indie film house Rooster Teeth, and most (though not all) of the beloved animated features from the Studio Ghibli library: Howl’s Moving Castle, Kiki’s Delivery Service, My Neighbor Totoro, Princess Mononoke, and Spirited Away.

This is exhausting. Perhaps I should get into books or music instead.

Did you know that, according to the National Recreation and Park Association, 3 out of 4 Americans live within walking distance of a local park or other recreational facility? That could be you!

Good idea. What is this all going to cost me, anyway? I assume all these subscription fees will be in the same ballpark. 

They are actually more diverse than you’d imagine. With less to offer than its competitors, Apple TV+ is the cheapest at $4.99 per month, followed by Disney+ at $6.99 a month (or $69.99 a year), Peacock at an estimated $10 or $12 per month, and HBO Max at $15 a month.

OK. But are there any deals or free trials in the picture? Something that a savvy consumer could exploit for maximal couch sitting.

Yes. Thanks to a deal with AT&T, HBO Max will be packaged as one-year free subscription for wireless customers who subscribe to HBO through AT&T services like AT&T TV, U-Verse TV, or AT&T’s other mobile and broadband services. The weird tricky part about all of this is that if you subscribe to HBO through a cable or internet provider unaffiliated with AT&T, or off Amazon Prime or Apple, then you’re not going to get HBO Max free.

Apple says that Apple TV+ will come free for one year to anyone who buys a new iPhone, iPad, iPod Touch, Mac, or Apple TV and activates the deal within three months of the service’s launch on Friday.

Peacock may come free (with ads) to cable subscribers, although details are still vague.

And, lastly, Disney+ will come free for one year to new and current Verizon Wireless Unlimited customers, beginning with Fios home internet customers, and new subscribers to its 5G home internet service beginning with the streamer’s debut on Nov. 12.

Is it possible that you’re forgetting to mention anything?

I did not mention that there is some original content now on Facebook Watch, such as a live-action version of the podcast Limetown, starring Jessica Biel. I just didn’t think you’d be interested.

There is also a cascading panoply of smaller, boutique subscription streaming services: art-house and foreign films from the Criterion Channel, high/low kitsch trash from Shout Factory TV, some new Tyler Perry projects on BET+, horror classics and originals on Shudder, short-form programming on something called Quibi. Truly if you have even an ounce of personality, or any niche interest at all, you can subscribe to something that might help further distinguish your individual tastes.

For a price. 

Yes. Recurring.

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A Complete Guide to Apple TV+, Disney+, and the Streaming Network Explosion - Slate
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米ツイッター、政治広告を11月から禁止 トランプ陣営は反発 - BBCニュース

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米ツイッター、政治広告を11月から禁止 トランプ陣営は反発 - BBCニュース
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3 Penerima Kartu Merah Terbanyak Sepanjang Sejarah Liga Inggris

Jakarta - Permainan cepat dan keras merupakan identitas sepak bola Liga Inggris. Para penikmat sepak bola Inggris pasti mengenal nama-nama seperti Patrick Vieria, Roy Keane, dan Joey Barton, yang dikenal dengan permainan kasarnya.

Tak jarang di antara pemain tersebut mendapatkan kartu kuning. Bahkan, kartu merah kerap mereka terima dalam sebuah pertandingan Liga Inggris. 

Pelanggaran-pelanggaran keras kerap terjadi jika tensi pertandingan mulai memuncak. Wasit bisa saja mengeluarkan kartu kuning atau merah bila pelanggaran yang terjadi tidak dapat ditolerir lagi.

Pelanggaran yang dilakukan seorang pemain bermacam-macam. Pelanggaran tersebut bisa berbentuk tekel keras atau hinaan kepada wasit.

Lantas siapa saja pemain dengan koleksi kartu kuning terbanyak di Liga Inggris? Berikut tiga pemain dengan raihan kartu merah terbanyak sepanjang sejarah kompetisi paling populer di dunia saat ini tersebut:

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Partick Vieira (8 Kartu Merah)

Roy Keane berseteru dengan Patrick Vieira dalam laga Manchester United kontra Arsenal. (doc. Bleacher Report)

Patrick Vieira merupakan salah satu pemain dengan raihan kartu kuning terbanyak di Premier League. Vieira sangat disipil dalam bertahan, walau tak jarang ia membantu serangan. Vieira kerap sering melakukan jegalan kepada pemain lawan yang menyebabkan ia harus diganjar dengan kartu kuning bahkan merah.

Sudah delapan kali gelandang legendaris Prancis tersebut mendapatkan kartu merah dari wasit di Premier League. Selain itu, Vieira juga telah mengoleksi 76 kartu kuning selama membela Arsenal di Premier League.

Vieira bermain bersama Arsenal sejak 1996-2005. Selama sembilan musim membela Arsenal, Vieira telah menyumbangkan tiga trofi Premier League.

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Duncan Ferguson (8 Kartu Merah)

Duncan Ferguson (Dok. Everton)

Duncan Ferguson merupakan salah satu striker legendaris Everton. Eks bomber Skotlandia tersebut memiliki permainan keras serta agresif.

Walau berposisi sebagai striker, Ferguson merupakan salah satu pemain dengan koleksi kartu merah terbanyak di Premier League. Ferguson telah mengoleksi delapan kartu merah dan 40 kartu kuning di Premier League.

Sepanjang karier profesionalnya, Ferguson hanya membela dua klub di Premier League. Ferguson membela Everton pada periode 1994-98 dan 2000-06, dan Newcastle United pada periode 1998-2000.

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Richard Dunne (8 Kartu Merah)

Richard Dunne (EPA/Magi Haroun)

Pemain terakhir dengan koleksi kartu merah terbanyak di Premier League adalah Richard Dunne. Bermain sebagai bek tengah, Dunne bertugas sebagai penjagal pemain-pemain yang ingin menembus pertahanannya.

Sepanjang bermain di Premier League, eks bek tengah Irlandia tersebut telah mengoleksi delapan kartu merah dan 74 kartu kuning. Total, Dunne telah membuat 245 pelanggaran sepanjang kariernya di Premier League.

Selama bermain di Premier League, Dunne hanya memperkuat tim-tim semenjana saja. Eks pemain internasional Irlandia tersebut pernah memperkuat Everton, Manchester City, Aston Villa, dan Queens Park Rangers. Prestasi tertinggi Dunne di sepak bola Inggris adalah membawa Aston Villa menembus partai final Piala Liga 2009-10. (Tegar Juel)

Sumber: Premier League

Disadur dari Bola.com (Penulis Ario Yosia / Published 31/10/2019)

Berita video 5 pemain yang menyita perhatian di Premier League musim 2019-2020.

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Facebook、予想を上回る増収増益 「政治広告の掲載はやめない」とCEO - ITmedia

Facebook、予想を上回る増収増益 「政治広告の掲載はやめない」とCEO  ITmedia
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トランプ、一転して窮地へ…米国民の魂を揺さぶった「ある男の証言」 - 現代ビジネス

1. トランプ、一転して窮地へ…米国民の魂を揺さぶった「ある男の証言」  現代ビジネス
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ツイッター、政治広告を全世界で禁止へ - CNN.co.jp

1. ツイッター、政治広告を全世界で禁止へ  CNN.co.jp
2. 米ツイッター、政治広告を11月から禁止 トランプ陣営は反発  BBCニュース
3. TwitterのCEO、「政治的広告はすべて禁止する」とツイート  ITmedia
4. ツイッター、政治広告を禁止 11月22日から CEO表明  日本経済新聞
5. ツイッター、政治広告を全世界で禁止 FBは容認の考え  朝日新聞
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【日本の解き方】トランプ氏は貿易協議で「部分合意」示唆も…中国経済は低迷続く？ ペンス副大統領の「対中強硬姿勢」は健在 - ZAKZAK

【日本の解き方】トランプ氏は貿易協議で「部分合意」示唆も…中国経済は低迷続く？ ペンス副大統領の「対中強硬姿勢」は健在  ZAKZAK
【日本の解き方】トランプ氏は貿易協議で「部分合意」示唆も…中国経済は低迷続く？ ペンス副大統領の「対中強硬姿勢」は健在 - ZAKZAK
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Dylan Carr Menyetir Sendiri Saat Kecelakaan

Liputan6.com, Jakarta - Dylan Carr mengalami musibah. Bintang sinetron Anak Langit ini terlibat kecelakaan lalu lintas di Tol Jakarta Outer Ring Road KM 36 Cikunir, pada Kamis (31/10/2019).

Satu lagi fakta baru yang terungkap adalah, saat peristiwa terjadi, Dylan Carr mengemudikan sendiri kendaraannya. 

"Iya iya (menyetir sendiri)" kata manajer Dylan Carr, Aditio, saat dihubungi wartawan melalui sambungan telepon, Kamis (31/10/2019).

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Dilarikan ke Rumah Sakit

Dylan Carr (Nurwahyunan/bintang.com)

Setelah peristiwa terjadi, Dylan Carr langsung dilarikan ke rumah sakit, di Jakarta. Tindakan operasi pun dilakukan untuk menyelamatkan nyawanya.

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Jalani Operasi

Dylan Carr (Bambang E. Ros/bintang.com)

"Mohon maaf kita belum bisa kasih info lebih lanjut, dia lagi operasi di rumah sakit," ungkap Aditio.

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Keluarga Shock

Saat ditanya lebih lanjut mengenai kondisi terkini Dylan Carr, sang manajer enggan mengungkapkan. Pihak keluarga msih dalam kondisi shock sehingga belum bisa mengungkap detail kejadian.

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Minta Maaf

"Aduh maaf ya kita belum ini (belum bisa ngomong) entar kalau sudah agak enakan, baru. Soalnya kita lagi sibuk, jadi kita belum bisa kasih tahu," sang manajer mengakhiri.

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Klasemen MotoGP Jelang Balapan di Malaysia

Liputan6.com, Jakarta - Marc Marquez semakin menunjukkan dominasinya di MotoGP 2019. Rider Repsol Honda itu kembali juara dalam MotoGP Australia yang digelar Minggu (27/10/2019) di Sirkuit Phillip Island.

Ini menjadi kemenangan Marquez yang ke-11 di MotoGP 2019. Dia juga sudah berada di podium tahun ini sebanyak 16 kali. Dengan kemenangan di Australia, Marquez sudah mengemas 376 poin.

Selama berkiprah di MotoGP, Marquez 125 kali start. Dia berhasil meraih 93 podium.

Posisi kedua masih menjadi pembalap Ducati, Andrea Dovizioso. Rider asal Italia itu sudah memenangi dua balapan di MotoGP 2019 dengan mengoleksi 240 poin.

Tempat ketiga menjadi milik Alex Rins. Pembalap Suzuki itu mengemas 183 poin setelah berhasil menjadi juara sebanyak dua kali dan naik podium hingga tiga kali.

Lihat klasemen MotoGP di halaman selanjutnya.

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Klasemen MotoGP

Pembalap Repsol Honda, Marc Marquez memimpin balapan dalam MotoGP Australia yang berlangsung di Phillip Island (22/10). Dalam balapan ini, Marquez yang coba merangsek ke depan sempat menyenggol Rossi. (AFP Photo/Paul Crock)

Klasemen MotoGP 2019

1. Marc Marquez (Honda): 375 poin

2. Andrea Dovizioso (Ducati): 240 poin

3. Alex Rins (Suzuki): 183 poin

4. Maverick Vinales (Yamaha): 176

5. Danilo Petrucci (Ducati): 169 poin

6. Fabio Quartararo (Yamaha): 163 poin

7. Valentino Rossi (Yamaha): 153 poin

8. Jack Miller (Ducati): 141 poin

9. Cal Crutchlow (Honda): 133 poin

10. Franco Morbidelli (Yamaha): 105 poin

11. Pol Espargaro (KTM): 89 poin

12. Joan Mir (Suzuki): 77 poin

13. Takaaki Nakagami (Honda): 74 poin

14. Aleix Espargaro (Aprilia): 53 poin

15. Francesco Bagnaia (Ducati): 50 poin

16. Andrea Iannone (Aprilia): 43 poin

17. Miguel Olivieira (KTM): 33 poin

18. Johann Zarco (Honda): 30 poin

19. Jorge Lorenzo (Honda): 23 poin

20. Tito Rabat (Ducati): 18 poin

21. Hafiz Syahrin (KTM): 8 poin

22. Mika Kallio (KTM): 6 poin

23. Karel Abraham (Ducati): 5 poin

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Jadwal MotoGP Malaysia

1 November 2019

09.50 - 10.30 WIB: Sesi latihan bebas pertama

14.05 - 14.50 WIB: Sesi latihan bebas kedua

2 November 2019

09.50 - 10.35 WIB: Sesi latihan bebas ketiga

13.25 - 13.55 WIB: Sesi latihan bebas keempat

14.05 - 14.55 WIB: Sesi kualifikasi

3 November 2019

08.40 - 09.00 WIB: Sesi pemanasan

14.00 WIB: Balapan

Live di Trans 7

Saksikan video pilihan di bawah ini

Berita video momen duel Marc Marquez dengan Fabio Quartararo pada balapan MotoGP San Marino, Minggu (15/9/2019).

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Khloe Kardashian posts images of daughter True, one, as an Oompa Loompa - Daily Mail

True takes Halloween! Khloe Kardashian posts images of daughter as an Oompa Loompa, a pumpkin and a bumble bee along with other looks

By Heidi Parker For Dailymail.com

Published: 18:56 GMT, 31 October 2019 | Updated: 21:27 GMT, 31 October 2019

Khloe Karashian promised her fans that she would be dressing up daughter True in several outfits for Halloween.

And the 35-year-old TV star did not let her fans down as she presented at least six charming outfits.

After posting a photo of the child in a white swan outfit, the next day the Revenge Body star shared an image of the kid in as am Oompa Loompa. And then came several more looks - a bumble bee, a pumpkin, a lion and a spiderweb, much to the delight of her nearly 100M Instagram followers.

Sweet look: Khloe Karashian promised her fans that she would be dressing up daughter True in several outfits for Halloween. And the 35-year-old TV star did not let her fans down

Yes, there's more: True as a bumble bee in yellow and black. And here the tot is seen in a pumpkin outfit while in a patch

Hear her roar: Baby True was also seen as a little lion with construction boots

So much to take in! The budding TV star was also seen with a spiderweb cape

An Oompa Loompa is native of Loompaland and a worker in a candy factory from the film Charlie And The Chocolate Factory.

They are small in size, have an orange complexion, and green hair.

The first recorded information of them comes from Roahld Dahl, the author of Charlie and the Chocolate Factory. 

True was also a bumble bee in yellow and black. And the tot was seen in a pumpkin outfit while in a patch.

Then there was her little lion outfit where she added construction boots.

The budding TV star was also seen with a spiderweb cape and a little sequin outfit and black boots.

Before these new posts, she was seen in what Khloe referred to as 'SwanLake with TuTu Halloween look 1'.

Oh my: After posting a photo of the child in a white swan outfit, the next day the Revenge Body star shared an image of the kid in as am Oompa Loompa

The inspiration: An Oompa Loompa is native of Loompaland and a worker in a candy factory from the film Charlie And The Chocolate Factory

The film: The movie came out in 1971 from director: Mel Stuart Wolper

Khloe, who shares her baby with her Cleveland Cavalier ex Tristan Thompson, added: 'You know I have many more to share'.

True, nickname Tu Tu, could be seen in the album clambering over some boulders around what appeared to be the banks of a creek.

Mother and daughter seemed to be in a park, and in the hazy background a group of people were visible sitting at an outdoor table.

A sweet tooth: The little girl was inside Sloan's ice cream and candy store near Topagna Canyon in California

So many options: The child looked inside the case that had fudge and cookies

Free run: She also went to the back where toys were on sale

Jackpot: True seemed delighted whens he got to the row of candy

Khloe fired up her Insta Stories that day to share some sweet footage of True enjoying quality time with her cousin Dream Kardashian.

Dream, who will celebrate her third birthday at the beginning of next month, is the daughter of Khloe's brother Rob Kardashian and ex-stripper Blac Chyna.

Khloe, who of all Rob's siblings is the closest to him in age, has had a famously tight bond with him despite occasional hiccups over the years.

Mama bear: Khloe has gone brunette to promote her new fragrance with Kim and Kourtney

Baby mine: Kardashian showed off her one-year-old daughter True's Halloween costume on Instagram this Wednesday

The reality TV icon also used her Insta Stories to offer her fans some footage of herself glamming up with a team of stylists.

Hair and makeup artist Etienne Ortega and hairstylist Jesus Guerrero were on hand for Khloe, who added a Louis Vuitton filter to her post.

She wound up leaving Tristan this February after he shared a kiss at a party with Jordyn Woods, the best friend of Khloe's half-sister Kylie Jenner.

Meanwhile, Kylie Jenner went as Marilyn Monroe from Gentlemen Prefer Blondes

Less than 48 hours before Khloe gave birth to True last April, DailyMail.com broke news of Tristan's alleged infidelity with New York strip club bartender Lani Blair.

Khloe began running around with Tristan when his ex-girlfriend Jordan Craig was still pregnant with his two-year-old firstborn son Prince. 

Although Jordan claims she was still with Tristan when he took up with Khloe, Khloe has insisted she thought the NBA heartthrob was single at the time.

She nailed it: Kim Kardashian dressed as Elle Woods from the film Legally Blonde

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【日本の解き方】トランプ氏は貿易協議で「部分合意」示唆も…中国経済は低迷続く？ ペンス副大統領の「対中強硬姿勢」は健在 - ZAKZAK

【日本の解き方】トランプ氏は貿易協議で「部分合意」示唆も…中国経済は低迷続く？ ペンス副大統領の「対中強硬姿勢」は健在  ZAKZAK
【日本の解き方】トランプ氏は貿易協議で「部分合意」示唆も…中国経済は低迷続く？ ペンス副大統領の「対中強硬姿勢」は健在 - ZAKZAK
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Wulan Guritno Pamer Pose Cantik saat Kerokan

Liputan6.com, Jakarta - Di mata banyak orang, sosok Wulan Guritno dikenal berkat kecantikannya.

Wulan Guritno diketahui memiliki tiga orang anak. Namun, pesonanya masih tetap terpancar. Setiap kali mengunggah kegiatannya di media sosial, beragam komentar warganet pun bermunculan.

Belum lama ini, ia mengunggah kegiatannya yang jarang dipamerkan. Di situ, Wulan Guritno mengunggah video singkat saat ia sedang kerokan.

Di Instagram Stories

Wulan Guritno. (Instagram @wulanguritno)

Kegiatan kerokan tersebut diunggah oleh Wulan Guritno melalui Instagram Stories. Saat itu, Wulan terlihat sedang dalam keadaan tengkurap.

Bagian Tangan Tampak Merah

Potret Liburan Wulan Guritno di Sumba, Tatonya Jadi Sorotan (sumber:Instagram/wulanguritno)

Seorang wanita terlihat sedang mengerok Wulan Guritno di bagian tangan. Alhasil, tangan Wulan pun tampak merah-merah setelah dikerok.

Tak Pakai Makeup

Terlihat juga di video yang sama, Wulan Guritno tak memakai makeup. Tapi aktris ini masih terlihat cantik.

Sempat Dipijat

Sebelum dikerok, Wulan Guritno terlebih dahulu dipijat oleh wanita yang juga mengerok tubuhnya.

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Nita Thalia Kucurkan Rp 1 Miliar untuk Operasi Plastik

Liputan6.com, Jakarta Pedangdut Nita Thalia diketahui suka melakukan operasi plastik. Sejak dulu, Nita Thalia telah beberapa kali melakukan perubahan bentuk tubuhnya. Dari mulai bagian wajah sampai tubuhnya.

Diakui oleh Nita Thalia, semua itu dilakukannya demi tampil cantik dan menawan. Sebagai seorang penyanyi, dirinya tetap ingin tampil mempesona di atas panggung.

"Usia saya kan nggak muda lagi, tapi saya masih tetap produktif. Nggak ada salahnya melakukan operasi plastik. Saya melakukannya sejak tahun 2003 di klinik Queen Beauty," ujar Nita Thalia saat ditemui di Sunter, Jakarta Utara, Rabu (30/10/2019).

Kocek

Nita Thalia lakukan perawatan untuk penampilan barunya

Demi tampil cantik dan seksi, Nita Thalia pun sampai rela merogoh kocek yang lumayan mahal. Hari itu, Nita melakukan operasi face lift dan operasi lipatan mata. Biaya yang dihabiskan sekitar Rp 200 juta. Namun belum selesai sampai di situ.

"Kalau keseluruhannya sekitar Rp 1 miliar lah, itu kan untuk berbagai operasi plastik," ujar Nita Thalia.

Tak Kapok

Nita Thalia lakukan perawatan untuk penampilan barunya

Sering melakukan operasi plastik tak membuat Nita Thalia kapok. Bahkan dirinya merasa ketagihan karena hasilnya memuaskan. Apalagi, semua ini ditangani oleh dokter yang profesional.

"Saya yakin aman karena ditangani oleh tim dokter berpengalaman dan professional," ujar Nita Thalia.

Chuby

Nita menceritakan keinginannya melakukannya operasi plastik karena wajahnya yang sudah terlihat chuby pada 2015 lalu. Oleh sebab itu, dirinya pun mencoba meniruskannya dengan melakukan operasi.

"Dengan operasi ini, face lift dan menghilangkan lipatan kantung mata, maka wajah saya akan kembali kencang dan mulus agar tampak lebih muda," ujarnya.

"Sebenarnya hal pertama yang aku pengin ngilangin lemak di pipi. Awalnya pergi ke dokter bedah plastik, aku konsultasi dengan dokter bedah plastik. Dokter bilang selain ngambil lemak di pipi, hidung juga otomatis harus mancung sedikit karena itu kan supaya V shape," tambah perempuan berusia 37 tahun itu.

Owner

Sementara itu, founder sekaligus Owner dari Queen Beauty Clinic, Margoto mengatakan kliniknya sudah banyak sekali melayani pelanggan dari berbagai lapisan masyarakat.

"Pelanggan kami mulai dari masyarakat biasa,  selebriti papan atas hingga keluarga pejabat. Kami selalu memprioritaskan perawatan maksimal dan juga mengupdate perkembangan tekhnologi dalam bidang kecantikan," pungkasnya.

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The Golden Age of TV Is Over - Slate

Photo illustration/animation by Derreck Johnson. Photos by Chin Leong Teoh/EyeEm via Getty Images Plus and bunhill/E+ via Getty Images Plus.

1. Why Dickinson Turns a Death-Obsessed Poet Into a Teenage Rebel
2. The Deuce’s Epilogue Failed What Made the Series Great
3. Apple TV+ Has Money to Burn, but It’s Short on Shows
4. Mrs. Fletcher Fools Around but Never Does the Deed

In the next several months, you’ll be able to access more content on your TV and TV-shaped devices than ever before. Apple TV+ launches this week with a glitzy, high-profile lineup of new shows—Jen! Reese!—and many more to come. In a matter of days, you’ll be able to log on to Disney+ and kick back with a $100 million addition to the Star Wars universe as well as a new version of Lady and the Tramp. But we’re just getting warmed up. Next April, NBCUniversal will launch its own streaming service called Peacock with a Battlestar Galactica reboot from Mr. Robot’s Sam Esmail as well as a reboot of Saved by the Bell, and it will be followed in May by HBO Max, which announced more than a dozen new series, including a long-anticipated Game of Thrones prequel, this week. If Peak TV is actually going to peak, it’s not happening anytime soon.

The good news is that if you like having new stuff to watch, you will have a lot of new stuff to watch—so much, in fact, that it may take a while to notice that much of it is not that great. The Golden Age of TV, the halcyon period that dates from the premiere of The Sopranos in January 1999, has been drawing to a close for a while now, but as the streamers lay out their plans for the 21^st century’s third decade, it’s increasingly clear that it’s well and truly over.

Like most golden ages, TV’s grew out of a combination of prosperity and uncertainty. TV networks and their ever-conglomerating corporate parents were flush with cash, but viewers were beginning to drift away from scripted programming, and then away from their sets entirely. (The last year a fiction series was the most-watched thing on TV was 2003, and even the current top-rated broadcast, NBC’s Sunday Night Football, has fewer than two-thirds the viewers of its turn-of-the-century equivalent.) In the past several years, the explosion of streaming video has sent TV ratings into free fall, but, especially when combined with the huge influx of Silicon Valley cash, it’s also given rise to a period of unprecedented creative freedom, shows whose very existence would have been unimaginable even a decade ago. You want to make a show about a transgender matriarch that’s also a profound exploration of Jewish identity? Here’s some money. A sitcom about a washed-up TV star who is also a cartoon horse that’s also a portrait of chronic depression? Let’s do this thing. A musical about a woman struggling with mental illness? Lowest ratings in TV history be damned, four seasons, and not an episode fewer. A series about an aspiring rap manager that’s nakedly influenced by surrealism? Another 18 hours of Twin Peaks? Whatever Sense8 was? In a period when no one knows what works, the answer is: Try everything.

The best of movies, TV, books, music, and more, delivered three times a week.

But in the past year or so, the dust has started to settle, and the landscape it’s revealed is dispiritingly familiar. There’s Amazon, canceling I Love Dick and One Mississippi as it seals a deal to expand The Lord of the Rings. There’s Netflix, cutting off One Day at a Time and The OA as it signs the creators of Game of Thrones. As once-insurgent streamers prepare to do battle with traditional media companies armed with several decades of established hits (and no longer willing to license their past glories for anything less than top dollar), they are behaving a lot like the entities they once aimed to disrupt, writing nine-figure checks to big-name talent and licensing all the intellectual property they can get their hands on. The future of streaming is less Tuca & Bertie, more Benioff & Weiss.

By this time next year, most of the world’s largest media companies will have their own streaming networks up and running, and they’ll be aligned with, it not outright owned by, some of its biggest tech companies, most of whom are giving away yearlong subscriptions in order to both pad their numbers and remind viewers who’s really running the show. A year of Apple TV+ comes free with a new iPhone, AT&T customers who already pay for HBO will get free upgrades to HBO Max, Verizon is giving its top customers a year of Disney+, and, though details are still fuzzy, it’s likely there’ll be some kind of synergy between Peacock and Comcast. As these content-creation companies become more integral to the overall strategies of their parent companies, the screws are being tightened. When AT&T acquired HBO, the former’s CEO, John Stankey, proclaimed that the network needed to think in terms of “hours a day, not hours a week, and not hours a month.” HBO was profitable, but not profitable enough for its new owner, and while its notoriously rigorous development process—you could fill an entire streaming network just with the pilots HBO declined to greenlight—consistently yielded good and often great shows, AT&T wanted the next Game of Thrones. In fact, everyone wants the next Game of Thrones, although the fact that a “next Game of Thrones” has failed to emerge in the eight years since the last one could be a compelling argument that the days of that kind of singular, culture-uniting hit are well and truly done. (Never mind that it was that painstaking development process, which included discarding huge chunks of its original $10 million pilot, that produced Game of Thrones in the first place.)

Once-insurgent streamers are starting to behave a lot like the entities they aimed to disrupt.

This story is not unique to streaming, or even entertainment. But the handiest analogy is the transformation of Hollywood filmmaking. Studios have wanted hits as long as movies have existed, but as the field has grown more crowded and their audiences more instantaneously global, the studios have put all their money on the same end of the betting table: more franchises, more reboots, more anything with even the vaguest connection to preexisting IP—a TV show, a board game, a piece of used bubble gum, it doesn’t matter as long as the name rings some distant bell in a prospective viewer’s cluttered mind. The strategy is epitomized by the Marvel Cinematic Universe, whose unprecedented dominance has transformed the nature of moviemaking in the past 11 years, but now even the MCU is just a piece of a much larger puzzle, sitting next to all the Star Wars movies and all the Pixar movies and all the Disney movies and all their infinite possible spinoffs. With their homogenous feel and post-credits teasers, the MCU movies provided an experience akin to watching a sporadic, incredibly expensive TV show. And now that they’ve turned movies into TV, they’re going to help turn TV into the MCU.

There will always be great TV, just like there will always be great movies and great albums and great novels. And some of the lessons learned over the past decade, particularly the decades-late realization that people who are not straight white men occasionally enjoy seeing themselves at the center of a story, look as if they’ll stick for good. (Whatever the limitations of streaming entertainment, it’s a killer app for allowing niche audiences to demonstrate that they’re not so niche after all.) But the anything-goes atmosphere that allowed many of the Golden Age of TV’s highlights is dissipating as the air fills with the sound of money being counted. It’s fitting that one of the last projects HBO realized before it began the march toward Max was Deadwood: The Movie, which brought a long-delayed end to one of the Golden Age’s most painfully unfinished stories. Set a decade after the original series, it’s the story of a Wild West town that’s grown substantially less wild, a settlement that’s just about settled. It’s a safer and even more profitable place than it used to be, but it’s also less interesting, the characters a little less colorful. It’s still a great place to strike it rich, but it’s no longer exciting.

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